About me

My name is Maddie. I am an identical twin and I live in the UK. In 2016 I discovered I had been brutalized when I was 3 by an uncle who lived with us throughout 1968. For 50 years, I lived in oblivion. I wish to share with you what my life has been like and how I unearthed the truth about my toddlerhood.

Friday 25 May 2018

How I Uncovered the Truth about my Toddlerhood Part 10: My Life Falls Apart

Throughout my life, I believed I had lived a cosseted childhood shared only with my siblings, parents and occasionally Nan. I suffered intrusive thoughts and a secret fantasy world fueled by a childhood familiar which I called Aidan. I explained my odd experiences to growing up in a chaotic household with a mentally ill father and depressive mother. Cramped living conditions and poverty created further challenges. I am ok with this and have come to terms with it. In fact, I have learned valuable life lessons.

The Truth Revealed

However, a series of events would reveal that my lifelong passion for novel-writing was in fact fueled by my childhood trauma of seeing my twin Eve's bloodied face after an accident with glass. We were both just 4. Nonetheless, I was later to learn that Eve’s accident merely formed a portal to earlier, more horrific traumas of when I was 3.

My mother’s half-brother Uncle Dan had lived in our cottage for over a year in 1968. I was only 3 at the time and assumed he had nothing to do with me. However, after gleaning my novels, I discovered recurrent scenes of sex abuse, rape and smothering all over the place. I hadn’t noticed because I was looking only for broken bottles and disfigured faces - things to do with Eve's accident. I also believed I was simply writing ‘dark fiction.’

On seeing Eve’s anesthetized form on her return from hospital, I had seen a man’s face rise in my chest. This bizarre experience is known as a somatic memory, which means a body part stores the memory rather than the brain alone. The man’s face had been Uncle Dan’s. I hadn’t realized at the time, not understanding what I was experiencing.

One particular scene in my novel Nadia would finally trigger a horrific memory of what had happened to me when I was 3. The scenes were factual recounts dressed up as fiction and taken out of context. Adults replace the parts of children. The manner in which I described a woman wiping blood from her hands
 had triggered the memory. I had just read about a character almost choking to death  after another character, based upon Uncle Dan, had entered the scene.

I now have the terrible memory of being suffocated at the age of 3. I haven’t seen it for almost 50 years.

This next part is an abridged excerpt from my book Mirror Image Shattered which describes what actually happened. I had found it extremely difficult to write and certain readers may find it distressing.

“My twin Eve and I had been playing in our bedroom. He climbed onto my bed. Being only 3, I had believed this adult was doing something routine. His dark face loomed against the ceiling.

He mounted my abdomen, legs astride. He grunted commands. I grew confused. He added force and eclipsed the window as his shadow drew across. His next action was swift. He cut off my airways. I had initially believed this unintended and he would move, but he didn’t. Terror reared up on the realization he was intentionally denying me of air. I writhed and kicked. I screamed in my throat, but the sound never came out.

His weight and his pressure grew unimaginable, burning my face. A snowstorm gathered over my eyes and the pulse in my eardrums became deafening. The torture of asphyxiation is indescribable. I’m going to die, I thought, even at 3. I had no choice but to give in, but the moment could not arrive soon enough. I blacked out.

I came-to. He was gone. I knew even at 3, he had done something despicable. My head weighed a ton and I felt sick, my sinuses pounding.

I wiped something horrid from my hands. Filth and shame overpowered me. Burying the memory had seemed my only option. From then on, I hated my body and I wanted to be someone else.”

Trauma Memory

It seems incredible that such a terrible memory could be buried within my subconscious for almost 50 years. And yet this is exactly what my brain has done. Self-preservation must have been the aim.

Strangely, I have thought of that memory every day of my life, but merely as symbols, imaginary situations and scenes taken out of context, not as anything real.

A year after being suffocated on my bed, I would see Uncle Dan’s face in my chest at the sight of my identical twin's comatose form. She had triggered the memory of seeing my Uncle’s face seconds before he had suffocated me. I would become like Eve: comatose. But even at 4, I didn’t know who the man was and I had no access to the actual memory.

With the memory now in my conscious awareness, my past is about to fall apart. I am not who I thought I was and I am about to enter a strange and frightening landscape. Further questions naturally arise: my lifelong intrusive thoughts. Were they in fact flashbacks? What about my childhood familiar and my secret world? I can no longer ask Mum as she passed away shortly after I retrieved the memory.

Pushchair Chronicles

I was soon to discover further clues to my toddlerhood within my so-called novels which I now view as ‘pushchair chronicles’. I would find anagrams of his name, anagrams of mine, evidence of a split psyche due to dissociation, clues to our family situation in 1968 that I didn’t know I knew. Worse, I would find descriptions of further traumas within key scenes, including rape.

My lifelong childhood familiar, Aidan contains his name: Dan. How many times had my toddler ears heard Dad or Nan address my uncle as ‘hey, Dan’ or ‘Our, Dan’ as they spoke to him? Weirder, my novel, Nadia is Aidan spelled backwards.

Mind map of growing up after living a nightmarish toddlerhood (Mirror Image Shattered)

But this is only the beginning.

I am about to embark upon a treacherous journey that will cast further light upon my shadowy toddlerhood. The full story can be found in my book Mirror Image Shattered.

However, I was yet to discover that my artwork and my diaries would also yield clues.

Only a specific set of circumstances would have provided access to the horrific memory. I would easily have lived my life through, completely unaware that I had been raped when I was 3.

Uncle Dan has been dead since 1998.

This completes the story of how I first uncovered the truth about my horrific toddlerhood.

Go back to part 9
Or start again at the prologue


How I Uncovered the Truth about my Toddlerhood Part 9: Suffocation Memory

I am now at my final novel, Nadia. I pause on spotting a broken bottle in a key scene. I continue gleaning, expecting to find further clues to the day my twin Eve had cut her face. Instead I find a character I had based upon my uncle. He is a Narcissistic doctor that runs a care-home where Nina, the main character used to work.

In the key scene, the creepy doctor's voice enters Nina’s head as she tries to save the life of a choking occupant of the limo by puncturing a hole in his windpipe.

I wonder why I had put Uncle Dan there. He wasn’t present when Eve.'s accident occurred and he rarely visited.

I was wrong.

I have provided an abridged excerpt from my book Mirror Image Shattered which describes how the reading of this scene within Nadia triggered a horrific memory that has been hiding from me for almost 50 years.

The Lead up to My Recall

In the novel, Nina is an ex-care worker who finds herself in celebrity Vincent's limo which later crashes. Throughout, Nina appears naive, like a child in the company of adults who are sharing grown-up innuendos. Nina is flustered and seduced. This is because Nina is in fact only 3.

The scene contains a strong subtext of what actually happened to me when I was 3. All my novels contain disturbing double-meanings which I hadn't noticed. The subtext here is shown in italics. Notice how the roles of Vincent and his PA sometimes merge. Notice also how action is taken out of context.

This next bit has spurred a churning in my stomach and I am sick with dread. Here goes.

“Nina is in a nightclub with friends having a loud time with drinks.
Uncle Dan, Mum, Dad and perhaps others are chatting in the living-room of our cottage 1968.
Nina is urged to snog a pole-dancer. The crowd join and Nina feels embarrassed.
I am the centre of attention for some reason, possibly because of Uncle Dan.
Nina’s friends spot celebrity Vincent in the corner who looks bored. Nina thinks he is an odious alpha-male.
Uncle Dan unnerves me even at three.
Nina gets separated from her drunken friends and remains at the nightclub.
I get separated from my chief caregivers.
Vincent's PA is in the bar. He introduces himself and jokes about the scene in the nightclub.
Uncle Dan possibly says something to me and I am flustered.
The PA flatters Nina before offering her a lift home in Vincent's limo.
I feel obliged to show gratitude for Uncle Dan’s attentions.
Nina proceeds to a dressing room before making her way to the limo.
I possibly don my pyjamas or something to get ready for bed.
Nina’s foot slips as she makes her way to the limo with Vincent's PA.
My toddler foot slips as I approach the bedroom door.
Nina feels uneasy about entering the limo.
I have a bad feeling about going into my bedroom with Uncle Dan about.
Vincent and his PA make jokes that Nina does not get. She feels insecure at the overtones.
I don’t understand Uncle Dan’s adult sense of humour.
The limo falls silent. It is dark outside.
My bedroom is silent. It is dark outside.
Vincent changes his shirt to expose broad expanse of flesh.
Uncle Dan has taken off his shirt for some reason.
Nina regrets entering the limo. She fears the press may find things out about her past and that her mother will get involved.
I wish I wasn’t in my bedroom. Uncle Dan tells me not to speak to my mother.
Before long, the limo falls into a skid as described here:
The floor quaked and the chassis jerked violently. The shadows reared and crashed against the windows. Nina’s seat-belt seized her in a molar-rattling embrace. She feels she is on a fairground carousel on a tumble down a hill.
Uncle Dan is upon me, restraining me with force. Everything has become a blur.
Nina sensed she was tumbling downwards with horrible force. The road receded in a sickening freefall that flattened her against her seat (I fall back on my bed). Her stunned windpipe would not permit a sound. (I cannot make a sound).
Nina’s knuckles hardened against the edge of her seat (the mattress). The death-car’s fishtail battered her into a ragdoll state (my body is shaking like a ragdoll).
The limo tilts, her skull aches and the limo groans. Nina’s seatbelt cut into her midriff. She batted the floor in a futile attempt to defy gravity.
My feet bat the foot of the bed as Uncle Dan is assaulting me. I can hardly breathe.
The cab pitched backwards. In an instant, her head weighed a ton. Her nape slammed against her seat. Would the cab ceiling be her final vision?
His force increases. My skull aches. Would my bedroom ceiling be my final vision?
She grunted air she thought impossible. She didn’t want to black out.
He is suffocating me. I am blacking out.
Her body no longer felt hers. No pain, just numbness, a disembodiment.
I come-to. My body no longer feels mine.
She sneered like a child at the sight of a worm. She gawped at her hands. Warm, sticky. Nina flaps her palms against the seat, crying out.
In the novel, this is blood. In reality, I have been sexually assaulted.
Nina’s breaths condensed upon the window. On the outside, Nina saw another self staring at her. (Nina is seeing Vincent's reflection in the glass, which is really a split-off of herself).”

This is dissociation: the splitting of the consciousness during trauma. Vincent and Nina have now become two halves of one person experiencing the same trauma. Vincent is suffocating now instead of Nina. No sex abuse occurs in this scene. Instead, a phallic-shaped sweet has got lodged in Vincent's throat. Action is taken out of context, which frequently happens in my novels. Vincent's fingernails gouge at the car seat as he is choking to death.

I am rewriting my memory so I am no longer taking the abuse. However, I am the one who thrashes about and gouges at the mattress as I struggle for air.

The scene continues like this, the subtext, again is in italics:

“Nina forages for her mobile phone. With no signal, she pleads into the mouthpiece.
I am terrified and plead for someone to be with me.
Nina now attempts to save Vincent's life by piercing his throat with a shard of glass. The paramedics arrive and Vincent's  body is ferried on a stretcher. Nina feels he no longer belongs to her because his body was in fact mine.
Later in the novel, Nina awakens to the news of the crashed limo. She thinks to herself:
They’ve had sex in the limo and now Vincent can no longer speak. At a newsstand, Nina sees a mother shoving a toddler-laden buggy past.
Uncle Dan has raped me in my bedroom and my toddlerhood cognition renders me mute. But the trauma remains in my head, subconsciously triggered by the sight of toddlers who resemble myself at that age.”

The manner in which Nina wipes the blood from her hands had triggered the memory.

That one paragraph brought the horrible memory to the surface of when I came-to after Uncle Dan had suffocated me on my bed. It’s always been there but my brain had done a good job of hiding it from me.

Memory of my coming-to after being suffocated by my uncle.

My novel Nadia has finally triggered the unearthing of a horrific memory of what had happened to me when I was 3.

Read the next part which describes the actual memory.

How I Uncovered the Truth about my Toddlerhood Part 8: Trigger

I have been gleaning my novels looking for clues about the day my twin had cut her face at the age of 4. I had dashed out of the cottage on seeing blood. It would appear that my novels are expressing traumas that I have stored in my subconscious.

I discover recurrent elements within scenes: broken glass, disfigured faces, characters dashing north to a hideout and terrible guilt. I am astounded at what I have found within my novels.

A New Ugly Picture

During the reading of my final novel, Nadia, I discover the inclusion of a character I had based on my Uncle Dan.

I wonder why I had put him there. He wasn't present during Eve's accident and he rarely visited the cottage. I assumed he had nothing to do with me, as I was only 3 when he stayed.

The following is an abridged excerpt from my book Mirror Image Shattered.

"The next scene in my novel is about to unearth a horrific memory I had buried for almost 50 years. After reading it, the memory opens up to me. It is silent and everything in my brain appears to shut down.

I put the pen down and lay on my side.

I feel sick."

The time had been around 10pm, 21 October 2016. Until then, I truly believed I had lived a cosseted life in the cottage with only my siblings, parents and occasionally Nan. Dad’s mental illness, poverty and Mum’s depressive moods appeared to explain my intrusive thoughts and a childhood familiar whom I called Aidan. I believed I had lost my virginity at age of 19 to my third boyfriend.

On seeing Eve's unconscious form on Mum's lap after her trip to the hospital, I had seen a man's face rise in my chest. This had been a somatic memory of my uncle, only I didn't know what it was at the time. I had believed the man had been imaginary. Horribly, he had been real.

The sight of my identical twin's unconscious body had 'reminded' me of how I had looked after being suffocated by my uncle.

I would later learn that Mum’s half-brother had installed himself in our cottage, not for a few days, but for over a year in 1968. My twin Eve and I were mere toddlers at the time.

Sleeping arrangements when my uncle stayed in our cottage 1968 (Mirror Image Shattered)

The upper image shows the sleeping arrangements when my uncle first came to stay. We had bunks and he slept in the guest room. The lower image shows where would sleep later in the year: in a partition room next to ours.


Part 9: Suffocation Memory
Or go back to part 7


How I Uncovered the Truth about my Toddlerhood Part 7: Black Hole in the Dark

I have been scouring my psychological thrillers for clues about the day my twin had cut her face. It appeared the trauma stored in my subconscious at the age of 4 had seeped into key scenes of my stories. I am horrified and fascinated at what has happened to me.

I am no longer reading my novels as fiction, but as documents that hold clues to an early childhood trauma.

Diary entry showing my obsessive novel writing

The image shows my diary entry of 27 September 1987. My novel writing has become obsessive. I had written:


"Spent all day doing nothing but typing pages, re-typing and typing again. There were 12 I had to copy, not counting the mistakes I had to correct and even to write. I had to lie to Mark (my then husband) to get here to do this. I told him I'd be tidying my flat, which I did. At the end of the day, Mark cried thinking there was something wrong."

I would continue to work on my novel throughout the day and not see anyone. In future years, I would write my other novels with the same fervor. Something was obviously wrong, for I was tapping into subconscious horrors during the writing, only the scenes were dressed up as fiction and I didn't realise.

Nadia

I am reading my final novel, Nadia, written a few years ago. A scene brings confusion. In the story, 2 protagonists share the backseat of a limo during a crash. One of them sustains a throat injury that causes him to choke. The other uses a broken bottle to puncture his windpipe in order to force air into his lungs. I naturally pause due to finding a broken bottle in the scene. I had thrown a bottle at Eve on the day of her accident.

I examine the scene closely, looking for further clues about the day of Eve’s accident.

The woman who performs the throat puncture relives unsettling memories of the care-home she used to work. In her mind, a creepy doctor with stubble breathes innuendo into her ear. The woman, Nina, tries to shake the horrible memory away but his vile innuendo keeps returning.

The Missing Piece of the Jigsaw

Instantly, I know the doctor I had written about was strongly based upon my uncle, Mum’s half-brother Dan. I am confused. Why have I put Uncle Dan there? He was not present when Eve cut her face.

Nina’s horrid flashback unfurls in the scene and I grow more unsettled. I recall occasional references to Uncle Dan staying with our family in 1968. I thought nothing of this, as I would have been only 3 and assumed he had little to do with me. Dad occasionally related of Uncle Dan’s escapades, travelling the world and working for the police. He had little to do with us.

Or so I had thought.

I read on, increasingly disturbed at the next part, which I had written myself. Sex references. Plenty of them. But this is nothing unusual in ‘dark fiction’ of the Kindle age. I believed I was simply putting myself ‘out there’.

What I hadn’t noticed was the frequency of sex abuse, rape and smothering within my novels. It was all over the place. I hadn’t notice because I was too focused upon looking for broken glass and facial injuries – things to do with Eve’s accident.

The next part is an abridged excerpt from my book Mirror Image Shattered.

“My final novel, Nadia, describes Nina’s flashbacks as she tries to save a life in the crashed limo. Her former boss, a Consultant I had based on Uncle Dan had taken a shine to this young, naive trainee. But Consultant Uncle-Dan would take liberties in running a finger over Nina’s body to illustrate incisions sites of the body. 

My subconscious wanted to push things further with his inappropriate behavior, but I couldn’t bear the thought. Despite this, Consultant Uncle Dan’s slithery voice would enter Nina’s head as she blows into the empty pen casing on following instructions on how to save a life. It seemed I couldn’t avoid his grubby innuendo in the scene, deleting his words and reinstating them several times.”

The next scene of my novel would cause the unearthing of a memory I had buried for almost 50 years.

My life is about to fall apart.

How I Uncovered the Truth about my Toddlerhood Part 6: Coma

At the age of 4, my twin and I squabbled over orange juice and I threw a glass bottle at her. On seeing blood coating the lower part of her face, I had dashed out of the back door in terror. Some hours later, I would return to find her unconscious on Mum’s lap, her face linen-white and a black scar tracking her hairline.

The resultant concoction of emotions had overwhelmed me. My shame for starters was horrendous. But I had also seen a man’s face rise in my chest. The image was as clear as a photograph and I was later to learn that I had experienced a somatic memory. This means a body part has stored the memory rather than the brain alone.

My somatic memory of a man's face in my chest

The Comatose State

With this odd experience, I had felt sullied and guilty for some reason. Being only 4, I didn’t realize it wasn’t normal. I explained the vision to representing Mum’s disdain for me after what I had done to Eve. I had become like the weirdo on the bus that Mum often spurned and deemed a threat to her beloved daughters. No longer was I welcome in her cottage. I had become like an outsider.

I believed this for almost five decades, for I didn’t know who the man was. But the answer would be found in Eve’s state, which was comatose.

This abridged excerpt from my book Mirror Image Shattered explains.

“I entered the cottage to see Mum holding an unconscious Eve in her arms. I could tell Eve was not simply asleep, but unconscious. Eve looked waxy white, her eyelids sunken and her body flaccid. I had never seen such inertia within anyone before, let alone in my twin who normally could never sit still.
Her sleep was not normal. It was almost like death.
It was then that I saw a man’s face rise in my chest. With this I experienced deep shame and a sullied feeling.

For years after, I hated seeing Eve sleeping in that position. I would get this strange notion that she was vulnerable and that her body wasn’t hers anymore.
Years later, my toy pantos would feature a blonde doll in a supine position apparently unconscious, while the other toys did and said things. I would feel unsettled at the sight of her, yet I couldn’t look away.”

Who was the man that I saw in my chest when I saw Eve unconscious? Years later, I would be gleaning my so-called novels after discovering they held clues to the day Eve cut her face. Recurrent elements of broken glass, disfigured faces, blood and characters fleeing north to a hideout had proved the case. How hadn’t I noticed this whilst I was writing? It appeared traumatic events stored in my subconscious had seeped into the plotlines of my stories without my awareness.

No longer would I see my novels as novels, but documents that held clues to my childhood trauma.

So, I have been feverishly gleaning my novels, noting down scenes that held relevance to Eve’s accident. It is then that I discover another element in my final novel, Nadia that had nothing to do with that day.

I am about to identify the man whom I had seen in my chest.

And I am about to discover the day Eve cut her face forms the porthole to a terrible truth about my toddlerhood.

How I Uncovered the Truth about my Toddlerhood Part 5: The Man in My Chest

After talking to my identical twin about her terrible accident that occurred when we were 4, I discovered things about that day that didn’t fit.

I had thrown a glass bottle at Eve after a squabble. On seeing blood on her face, I had dashed out of the cottage to hide somewhere in the garden. For decades I had believed I had wandered in a daze for 10 minutes or so before returning via the back door.

However, I have since realized that the light had radically changed between my dash out of the cottage and my return. Not only that, but Eve had already been stitched up and was laying on Mum’s lap. I had not encountered a family member the entire time Eve was in hospital. So where had I gone?

I naturally ask Mum about that day but she is by now terminally ill and incoherent. It felt wrong to pursue this line of questioning for implying she had been neglectful. I cannot question my older siblings in fear of creating a family feud. I have to accept I may never find out where a four-year-old ‘me’ had gone during those four hours.

However, I would soon find the answer to the mystery in an unexpected place.

Answers within my Novels

For decades I had feverishly been writing what I believed to be psychological thrillers. However, I would later discover recurrent elements within my story-lines that would inform upon an early childhood trauma: broken glass, blood, disfigured faces, characters fleeing north to a hideout and abject shame recur over and again.

This discovery had occurred due to a series of incidents.

Several times, I describe fictional characters fleeing north after causing an injury with glass and hiding out alone in a small enclosure. Indeed, I recall dashing north from the cottage before my memory goes blank. Our back garden contained a boarded-up swimming pool, garage, swings and a small caravan. The enclosure of my ‘fictional’ hideout always matches that of the caravan. In one novel, a character boards an empty train carriage after causing an injury with glass. Both enclosures contain benches and a small window looking east.

Storyboard showing what happened on the day of Eve's accident (from Mirror Image Shattered)

Another novel describes a character hiding alone in a grotty bedsit after causing injury with glass. The room has the same layout, a bench-like bed with a window looking east. How had I not noticed these recurrences before?

This is how I worked out where I had gone to during the missing 4 hours of that day. A 4 year old child had dashed into the back garden after seeing blood on her twin’s face and then she hid in the caravan.

Somatic Memory

But what did I do during all this time? I may have tranced out or fallen asleep due to shock. One thing I do know was that I had not encountered a family member. This is consistent with my novels. All characters that flee remain alone.

When I returned to the cottage, the once-sunlit kitchen was now gloomy. Mum was already seated with Eve on her lap. Eve appeared as white as linen, unconscious from the anesthetic and a black scar near her hairline.

My first sight of her had spurred a potent concoction of emotions. Naturally I was deeply ashamed at what I had done. But then I had also seen a man’s face rise in my chest. A man’s face. This seems odd, but I would later learn it was a sensory or ‘somatic’ memory of something I had experienced a year previously. I didn’t figure this out at the age of 4.

A somatic memory is a bizarre experience: I didn’t actually ‘see’ the man’s face in the literal sense, but I had a strong impression of a man’s face in my chest as I had looked upon Eve. The image was as clear as a photograph. With this, I felt terribly sullied.

This excerpt from my book Mirror Image Shattered describes what I thought the man’s face represented.

“As I had believed I had destroyed the lives of Mum and my twin, I had become the weirdo on the bus that Mum typically spurned. A man’s face had appeared in my chest and became part of me. This and Dad’s psychotic illness must form the basis for the callous characters of my novels years later. A stranger now exists inside of me and the cottage was no longer my home.”

But the man in my chest wasn’t a figment of a cast-out stranger of wrongdoings. The man had been real, only I hadn’t realised at the time.

The following part describes how Eve’s anesthetized body provided the key to uncovering the secrets to my toddlerhood.